Gloria Stuart – MovieActors.com

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Stuart in Sweepings.

About Gloria Stuart (1910 – 2010)

Gloria Frances Stuart was born Gloria Stewart at 11:00 p.m. on the Fourth of July, 1910 on the family's kitchen table in Santa Monica, California to Frank Stewart and Alice Deidrick. Stuart's father, Frank Stewart, born in Washington state was an attorney representing The Six Companies, Chinese tongs in San Francisco. Stuart's brother, Frank Jr., was born eleven months later. In two years, their brother Thomas was born, but he died of spinal meningitis at three.

When Stuart was 9 years old, her father died of infection from an injury sustained when an automobile grazed his leg. She was also expelled from grade school after kicking her teacher ("to be honest, she deserved it" she recalled). Hard-pressed to support two small children, her mother soon accepted the proposal of local businessman Fred J. Finch. Stuart went through school as Gloria Fae Finch. She had not been given a middle name by her parents (not unusual in that era) and so adopted one, which was sometimes Frances, the feminine of Frank, her father's name.

Stuart attended Santa Monica High School where she was active in theater, and performed the lead role in her senior class play, The Swan. She loved writing as much as acting, and spent her last two summers in high school taking short story and poetry writing classes and working as a cub reporter for the Santa Monica Outlook. After high school, Stuart enrolled at the University of California at Berkeley, majoring in philosophy and drama. In college, she appeared in plays, worked on the Daily Californian, contributed to the campus literary journal, Occident, and posed as an artist's model. It was at Berkeley that she began signing her name Gloria Stuart.

At the end of her junior year, in June 1930, Stuart married Blair Gordon Newell, a young sculptor who apprenticed with Ralph Stackpole on the facade of the San Francisco Stock Exchange building. The Newells moved to Carmel-by-the-Sea where there was a stimulating community of artists such as Ansel Adams, Edward Weston, Robinson Jeffers and Lincoln Steffens and his wife Ella Winter.

Stuart performed in productions at the Theatre of the Golden Bough and worked as a staff member on The Carmelite newspaper. She made hand-sewn aprons, patchwork pillows and tea linens, and created bouquets of dried flowers for a tea shop, in which she also worked as a waitress. Newell laid brick, chopped and stacked wood, taught sculpture and woodworking, and managed a miniature golf course. They lived in a shack in the middle of a wood yard as night watchmen.

Stuart's performance in the theatre in Carmel brought her to the attention of Gilmor Brown's private theater, The Playbox, in Pasadena. She was invited there to appear as Masha in Anton Chekhov's The Seagull. Opening night, casting directors from Paramount and Universal were in the audience. Both came backstage to arrange a screen test, both studios claimed her. Finally the studios flipped a coin and Universal won the toss. Stuart considered herself a serious actress in theater but she and Newell "were stony broke, living hand to mouth" so she decided to sign the contract with Universal, which paid a bit more than Paramount.

Stuart does not mention it in her book, but the Internet Movie Database includes her with thirty other players in a slapstick comedy, The Cohens and Kellys in Hollywood, A Behind-the-Scenes Farce. Produced by Universal in the spring of 1932, this is likely Gloria Stuart's first appearance before the camera. Stuart actually began her movie career by playing an ingénue confronting her father's mistress in Street of Women, a Pre-Code fallen-women film. Stuart's second turn, again playing the ingénue, was in a football-hero movie, The All-American.

In early December, 1932, the Western Association of Motion Picture Advertisers announced that Gloria Stuart was one of fifteen new movie actresses "Most Likely to Succeed"—she was a WAMPAS Baby Star. Ginger Rogers, Mary Carlisle, Eleanor Holm were among the others.

Stuart's career advanced when English director James Whale chose her for the glamour role as a sentimental wife who winds up stranded among strangers at a spooky mansion in his ensemble cast (Boris Karloff, Melvyn Douglas, Charles Laughton, Lilian Bond, Ernest Thesiger, Eva Moore and Raymond Massey) for The Old Dark House (1932). The film was critically praised, and The New York Times called Stuart's performance "clever and charming," with the movie later becoming a cult classic.

Stuart was given her first co-starring role by director John Ford in her next film, Air Mail, playing opposite Pat O'Brien and Ralph Bellamy. Of her performance in the movie, the New York Times Mordaunt Hall wrote, "Gloria Stuart, who does so well in The Old Dark House, a picture now at the Rialto, makes the most of the part of the girl..." That two Gloria Stuart movies were in theaters simultaneously became the rule rather than the exception in her early career. In 1932, her first year, Stuart had four films released, then nine in 1933, six in 1934. In 1935, Stuart was having a baby, so only four movies were released. Six movies followed in 1936. After Air Mail, Mordaunt Hall's notices for Gloria Stuart came down to a few words. Laughter in Hell: "Gloria Stuart appears as Lorraine..."; Sweepings: "...played by the comely Gloria Stuart..."; Private Jones: "Gloria Stuart is charming..."

James Whale called Stuart back for just one scene in The Kiss Before the Mirror, but the critic Hall wrote, "There are those who may think that it is too bad to introduce as one of the players the dainty Gloria Stuart and have her killed off in the first episode of the narrative. Perhaps it is, but a pretty girl was needed for the part and Mr. Whale obviously did not wish to weaken his production by casting an incompetent actress or an unattractive one for this minor role."

After good notices in The Girl in 419, (Mordaunt Hall mentions "...the pleasing acting of the attractive Gloria Stuart), and Secret of the Blue Room ("Miss Stuart gives a pleasing performance."), James Whale cast Stuart opposite Claude Rains in The Invisible Man (1933). Rains was a celebrated import from the London stage and this was his first Hollywood film. (Mordaunt Hall's review of Stuart's work was a temperate, "Miss Stuart also does well by her role.") The Invisible Man also became a cult favorite.

In 1934, Universal loaned-out Stuart to Warner Brothers for Here Comes the Navy. Stuart co-starred with James Cagney and Pat O'Brien, the first of nine films featuring this male team. Frank S. Nugent wrote in the New York Times, "Supporting Mr. Cagney--and doing very creditable jobs, too--are Pat O'Brien, Gloria Stuart..." In 1935, Stuart was cast as Dick Powell's love interest in Busby Berkeley's, Gold Diggers of 1935. It was a musical; Stuart did not dance or sing, and the New York Times critic commented: "Nor has Gloria Stuart anything of vast import to contribute in the position usually occupied by Ruby Keeler."

In that same year, Stuart left Universal and joined Twentieth Century-Fox. Her first assignment from the studio head, Darryl F. Zanuck, was in Professional Soldier supporting the child star Freddie Bartholomew and Academy Award winner Victor McLaglen (the year before, McLaglen won the Oscar for Best Actor in a Leading Role in John Ford's The Informer). Frank S. Nugent noted: "There is a minor romance along the way between Gloria Stuart, the king's noble governess, and Michael Whalen, the professional soldier's part-time assistant, but no one should take it seriously." In 1936, John Ford chose Stuart to co-star with Warner Baxter in The Prisoner of Shark Island. Playing the wife of the doctor who treated Lincoln's assassin, Stuart felt privileged to work again with Ford, although the New York Times Frank S. Nugent wrote of Stuart's "...helpful performance..." In Poor Little Rich Girl, Stuart again was asked to support a child star: this time, Shirley Temple. Frank S. Nugent: "Listing supporting players hastily, then, before we forget them entirely, we might mention Miss Faye Gloria Stuart…as having been permitted a scene or two while Miss Temple was out freshening her costume."

For the rest of 1936 and through 1937, Zanuck placed Stuart in movies such as The Girl on the Front Page—Frank S. Nugent's note: "Call it mediocre and extend your sympathies to the cast…" Reviewing Girl Overboard, Nugent begins, "In the definitive words of the currently popular threnode featured by a frog-voiced radio singer, Universal's 'Girl Overboard'…is 'nuthin' but a nuthin',' and a Class B nuthin' at that." In spite of the films' lukewarm reviews, Stuart had amassed a loyal following of fans by this time in her career, one of whom had her portrait tattooed across his chest. Stuart met with the fan and was photographed with him for a Life magazine profile in the fall of 1937.

Stuart later appeared in The Lady Escapes, Life Begins in College and Change of Heart, which did not merit space in the New York Times movie pages. In 1938, Zanuck again insisted Stuart support Shirley Temple in Rebecca of Sunnybrook Farm (1938). In their review of the film, Variety wrote: "Shirley Temple proves she's a great little artist in this one. The rest of it is synthetic and disappointing... More fitting title would be Rebecca of Radio City." In 1938, for the fourth time, Stuart was a supporting player to a child star: Jane Withers in Keep Smiling. Stuart but not her performance is noted in the New York Times review.

In Time Out for Murder, Stuart's reviewer said she was "…a pretty bill collector". Then in 1939, the last year in this phase of Stuart's career, in The Three Musketeers, Stuart's billing came after Don Ameche, The Ritz Brothers and Binnie Barnes and again Stuart's work was not reviewed. In Winner Take All, the Times critic wrote, "…the only thing worth seeing in the picture is Tony Martin trying to play a prizefighter. This is positively killing." It Could Happen to You, "a quasi-comedy" co-starring Stuart Erwin, finished the eight years. Again Stuart is not mentioned.

What did give the actress space in the movie pages the previous November was the story: "Gloria Stuart Quits Fox...Gloria Stuart has terminated her contract with Fox..." In fact, Darryl Zanuck did not renew Stuart's contract.

Stuart's sculptor husband at the time, Gordon Newell, was unhappy with Hollywood life. He and Stuart separated amicably and divorced. In 1933 on the set of her film Roman Scandals, a comedy starring Eddie Cantor, Stuart met Arthur Sheekman, one of the movie's writers. They were "instantly attracted to each other". Stuart and Sheekman married in August, 1934 and their daughter, Sylvia – named after Princess Sylvia, Stuart’s character in Roman Scandals – was born the following June.

Early in 1939, Stuart and then-husband Sheekman spent four months traveling in Asia, Egypt and Italy, then landed in France just as France and the United Kingdom declared war on Germany. They appealed to the American consul, asking to stay, Sheekman as a war correspondent, Stuart as a hospital volunteer. The consul refused help, and told them they had to return to the United States. They caught the SS President Adams, the last American passenger ship to cross the Atlantic, and arrived in New York City in September.

In New York, Stuart sought to return to stage acting on Broadway. "I wanted to be a theater actress," she said, "but I thought it would be easier to get to New York and the theater if I had a name than if I just walked the streets as a little girl from California. When I went back to New York with somewhat of a name, they didn't want movie actresses." Stuart was, however, welcomed into summer stock theater on the east coast, and performed in Man and Superman, The Animal Kingdom, The Night of January 16th, Accent on Youth, Route 101, Mr. and Mrs. North, The Pursuit of Happiness, Here Today, Sailor Beware and was Emily to Thornton Wilder’s Stage Manager—under Wilder’s own direction—in Our Town. But for two years, as many readings, lunches and cocktail parties as she attended, no director, producer or writer (not even Sheekman) gave Stuart a role on Broadway.

To help with the war effort in the 1940s, Stuart took singing and dancing lessons, then the USO teamed her with actress Hillary Brooke. The two blonde actresses toured the country, visited hospitals, danced with servicemen in canteens, sold war bonds. Stuart "wanted terribly to volunteer for service overseas with the USO, but Arthur wouldn't hear of it."

Stuart asked her former agents to get her work. Her first movie in four years, Here Comes Elmer, was a comedy with music starring Roy Rogers’ wife, Dale Evans. In The Whistler—an early directing credit of the horror specialist, William Castle—Stuart co-starred with Richard Dix. In Enemy of Women, a war-themed film, Stuart was seventh in billing. Two years later, Stuart took one more role: she wore a redhead's wig in a comedy starring Joan Davis and Jack Oakie. Stuart does not mention She Wrote the Book in her autobiography.

In 1975, after nearly thirty years out of the business, Stuart decided to return to acting. She got an agent who obtained her bit parts, mostly in television— including guest appearances on series such as The Waltons and Murder, She Wrote. Her friend, director Nancy Malone, gave her a leading role in Merlene of the Movies, a quirky film for television, and other friends gave her parts in their shows. In 1982 came My Favorite Year. Although Stuart's scene lasted moments and she had no lines, she was dancing with Peter O'Toole. She wrote, "It was a great privilege to work with him." After that, Stuart was in Jack Lemmon's drama Mass Appeal and Goldie Hawn's comedy Wildcats, then more bits and pieces in television. A vintage publicity photo of her was also used for the image of 'Peg', the sister of butler Alfred Pennyworth, in the 1997 film Batman & Robin.

Stuart's husband Arthur Sheekman died in January, 1978. Five years later, Ward Ritchie, a close friend of Stuart’s first husband, Gordon Newell, sent Stuart one of his books. Ritchie had become a celebrated printer, book designer and printing historian. With his commercial Ward Ritchie Press and private Laguna Verde Imprenta press, Ritchie produced distinguished books on the arts, poetry, cookery and the American West. Stuart invited him to dinner and they fell in love. Ritchie was seventy-eight and Stuart seventy-two.

When Stuart first followed Ritchie into his studio and watched him pull a printed page from his 1839 English iron Albion hand press, she wanted to do it, too. After studying typesetting at the Women’s Workshop in Los Angeles, Stuart bought her own hand press, a Vandercook SP15 and established her own private press, Imprenta Glorias.

Stuart’s next discovery was the Artist’s book. She designed the books, wrote the text (often poetry), set the type—carefully selecting the style of type to match the subject—printed the pages, then decorated the pages with water colors, silk screen, découpage or all three. She created large artist’s books and books in miniature. Several of her books took her years.

Through Ritchie, Stuart was introduced to prestigious librarians and bibliophiles from San Francisco to Paris. Imprenta Glorias books can be found in the Bibliothèque nationale de France, the Huntington Library, J. Paul Getty Museum, the Library of Congress, the Los Angeles Public Library, the Metropolitan Museum of Art, the Morgan Library & Museum, the New York Public Library, the Occidental College Library, the Princeton University library, the UCLA Clark Library, the Victoria and Albert Museum as well as private collections. Stuart and Ritchie were together for thirteen years until his death from pancreatic cancer in 1996.

In May 1996, Stuart received a message about a film role: "A female voice said she was calling from Lightstorm Entertainment...about a movie to be shot on location, maybe Poland...about the Titanic, directed by James Cameron..." The next afternoon, Cameron’s casting director, Mali Finn, came to Stuart’s house "…with her assistant, Emily Schweber, who was carrying a video camera... Mali and I talked while Emily filmed us." The next morning, Finn brought over James Cameron and his video camera. Stuart wrote, "I was not the least bit nervous. I knew I would read Old Rose with the sympathy and tenderness that Cameron had intended…" Five days after Stuart's eighty-sixth birthday, Finn phoned again and asked, “Gloria, how would you like to be Old Rose?”

Most of Stuart’s filming was completed in Halifax, Nova Scotia, over about three weeks in early summer. But the complex movie, events connected with it and the consequences of Stuart’s new status in Hollywood filled the next year. Stuart filmed and made recordings for several documentaries, did more looping and dubbing for Cameron, received offers of scripts. Stuart wrote, "On April 7, 1997, the publicity blitz for Titanic kicked off… From that point on, the deluge of publicity never stopped."

On December 17, 1997, Stuart was nominated for a Golden Globe Award for Best Supporting Actress for her performance in the film. She was also nominated for an Academy Award for Best Supporting Actress.

On March 8, 1998, the Screen Actors Guild awarded Stuart its Founders Award. Then for Best Performance by an Actress in a Supporting Role, Stuart tied with Kim Basinger (L.A. Confidential). For both awards, Stuart received a standing ovation from her peers.

The following May, People magazine included Stuart on their list of "The 50 most beautiful people in the World in 1998." Also in May, Stuart was guest of honor at the Great Steamboat Race between the Belle of Louisville and the Delta Queen and then was Grand Marshal of the 1998 Kentucky Derby Festival’s Pegasus Parade.

Next, Stuart signed a contract with Little, Brown and Company to write her autobiography, I Just Kept Hoping. Stuart made her debut at The Hollywood Bowl on July 19, 1998 reading the poem, Standing Stone, Paul McCartney’s oratorio for orchestra and chorus.

Stuart was asked by the producer and star, Kate Capshaw, to join her cast of The Love Letter (1998), which she filmed in Rockport, Massachusetts. In October 1999, Stuart’s native Santa Monica issued a Commendation signed by the mayor recognizing Gloria Stuart "…for many contributions world-wide and her inspirational message to always keep hoping. Dated this 16th day of October, 1999. Pam O’Connor, Mayor." In September 2000, Stuart unveiled her star on the Hollywood Walk of Fame, in front of a Pig 'n Whistle café that had opened its doors in 1927 when Stuart was still in high school. She also made guest appearances on several television series, including the 2000 science fiction series The Invisible Man; Touched by an Angel, and General Hospital.

Even though once again reduced to minor roles, Stuart's last two movies were for director Wim Wenders. In 1999 Stuart worked on The Million Dollar Hotel in downtown Los Angeles. In 2004, she appeared in Wenders' Land of Plenty, her final film.

On June 19, 2010, Stuart was honored by the Screen Actors Guild for her years of service. At a luncheon, she was presented the Ralph Morgan Award by Titanic co-star Frances Fisher. On July 22, 2010, The Academy of Motion Picture Arts and Sciences honored Stuart’s career with a program featuring film clips and conversations between Stuart and film historian Leonard Maltin, portrait artist Don Bachardy and David S. Zeidberg, the Avery Director of the Huntington Library. One thousand people filled the Samuel Goldwyn Theater.

From the time Stuart was announced in the Titanic cast, she appeared before the camera for interviews on subjects as diverse as Groucho Marx, Shirley Temple, James Whale, horror movies and friends Christopher Isherwood and Don Bachardy

Stuart was a smoker in her early adult years and quit later in life, but was still diagnosed with lung cancer at the age of 94. Until that point, she had enjoyed remarkably good health for her advanced age aside from taking cortisone shots for knee pain. Stuart underwent radiation treatment, but in time the cancer returned and Stuart underwent a shorter course of radiation. The malignancy continued to spread, but slowly due to Stuart's age. She lived six years after her initial diagnosis.

On the day of Stuart’s 100th birthday, James and Suzy Cameron hosted Stuart’s family and friends at the ACE Gallery in Beverly Hills. There Stuart saw many of her paintings and serigraphs, artist’s books, samples of her découpage and trees from her bonsai collection exhibited in the gallery. Stuart’s Baiko-En bonsai club gave her a gala birthday party at the Huntington Library.

Stuart died on the afternoon of September 26, 2010 of respiratory failure and lung cancer. Her body was cremated.

Gloria Stuart's movie credits include...

Year Movie Role
1932Street of WomenDoris 'Dodo' Baldwin
1932The All AmericanEllen Steffens
1932The Old Dark HouseMargaret Waverton
1932Air MailRuth Barnes
1933Laughter in HellLorraine
1933SweepingsPhoebe
1933Private JonesMary Gregg
1933The Kiss Before the MirrorLucy Bernsdorf
1933The Girl in 419Mary Dolan
1933It's Great to Be AliveDorothy Wilton
1933Secret of the Blue RoomIrene von Helldorf
1933The Invisible ManFlora Cranley
1933Roman ScandalsPrincess Sylvia
1934BelovedLucy Tarrant Hausmann
1934I Like It That WayAnne Rogers/Dolly Lavern
1934I'll Tell the WorldJane Hamilton
1934The Love CaptiveAlice Trask
1934Here Comes the NavyDorothy
1934Gift of GabBarbara Kelton
1935Maybe It's LoveBobby Halevy
1935Gold Diggers of 1935Ann Prentiss
1935LaddiePamela Pryor
1935Professional SoldierCountess Sonia
1936The Prisoner of Shark IslandMrs. Peggy Mudd
1936The Crime of Dr. ForbesEllen Godfrey
1936Poor Little Rich GirlMargaret Allen
193636 Hours to KillAnne Marvis
1936The Girl on the Front PageJoan Langford
1936Wanted! Jane TurnerDoris Martin
1937Girl OverboardMary Chesbrooke
1937The Lady EscapesLinda Ryan
1937Life Begins in CollegeJanet O'Hara
1938Change of HeartCarol Murdock
1938Rebecca of Sunnybrook FarmGwen Warren
1938Island in the SkyJulie Hayes
1938Keep SmilingCarol Walters
1938Time Out for MurderMargie Ross
1938The Lady ObjectsAnn Adams Hayward
1939The Three MusketeersQueen Anne
1939Winner Take AllJulie Harrison
1939It Could Happen to YouDoris Winslow
1943Here Comes ElmerGlenda Forbes
1944The WhistlerAlice Walker
1944Enemy of WomenBertha
1946She Wrote the BookPhyllis Fowler
1975The Legend of Lizzie BordenStore customer
1975Adventures of the QueenFemale passenger
1976Flood!Mrs. Parker
1977In the Glitter PalaceMrs. Bowman
1978Battered
1979The Incredible Journey of Doctor Meg LaurelRose Hooper
1979The Best Place to Be
1979The Two Worlds of Jennie LoganRoberta
1980Fun and GamesTerri
1981The Violation of Sarah McDavidMrs. Fowler
1981Merlene of the MoviesEvangeline Eaton
1982My Favorite YearMrs. Horn
1984Mass AppealMrs. Curry
1985There Were Times, Dear
1986WildcatsMrs. Connoly
1988ShootdownGertrude
1989She Knows Too MuchKiki Watwood
1997TitanicRose Dawson Calvert
1999The Love LetterEleanor
1999The Titanic ChroniclesHelen Bishop
2000The Million Dollar HotelJessica
2000My Mother, the SpyGrandma
2001Murder, She Wrote: The Last Free ManEliza Hoops
2004Land of PlentyOld lady

Gloria Stuart's television credits include...

Year Show/Series Role
1975The WaltonsSaleswoman
1980EnosLilly
1983ManimalBag Lady
1987Murder, She WroteEdna Jarvis
2001The Invisible ManMadeline Fawkes
2001Touched by an AngelGrams
2002-2003General HospitalCatherine
2003MiraclesRosanna Wye

Memorable Quotes by Gloria Stuart

[ on the formation of the Screen Actors Guild in 1933 ] “ James [Whale] joined all the English actors,” Stuart recalled. “So on one side of the set they had their ‘elevensies’ and `foursies,’ and Melvyn [Douglas] and I would be sitting together, not invited. One day, Melvyn said to me, `Are you interested in forming a union together?’ I said, ‘What’s a union?’ He said, ‘Like in New York – Actor’s Equity. The actors get together and work for better working conditions.’ I said, ‘Oh wonderful,’ because I was getting up at five every morning; in makeup at seven, in hair at eight, wardrobe at quarter of nine, and then sometimes if production wanted you to, you worked until four or five the next morning. There was no overtime. They fed us when they felt like it, when it was convenient for production. It was really very, very hard work." ”

“ When I graduated from Santa Monica High in 1927, I was voted the girl most likely to succeed. I didn't realize it would take so long. ”

[on her comeback as the elderly Rose in Titanic (1997)] “ I think that's the important thing. If you're full of love, admiration, appreciation of the beautiful things there are in this life, you have it made, really. And I have it made. ”

“ I would say I don't notice any difference between 100 and, say, 90. You're still frail, feeble and full of you-know-what. ”

[ on Claude Rains in The Invisible Man ] “ Claude Rains was what was known as an actor's actor. No quarter was asked and none given. A scene stealer? Whenever possible, yes. But with James Whale again you didn't worry much. One way or another, you ended up in the position Whale wanted you in. And since Claude spent the entire film wrapped in bandages, you couldn't blame him for trying. ”

[ on James Cagney ] “ Cagney was wonderful. Jimmy and I worked together getting the Guild going — he was one of the stalwart liberals then. And that whole Warner Brothers stock company of Irishmen were always having a good time. They were darling men, funny and amusing to be with. ”

Things You May Not Know About Gloria Stuart

At age 87, she was the oldest person ever to be nominated for an Academy Award.

She was the only cast member of Titanic who was alive at the time of the actual disaster. Stuart lived to be 100 years old, the same age as her character in the film.

Titanic was her second film that featured a doomed ship. One of her early films, Here Comes the Navy, was filmed aboard the USS Arizona.

Shortened her last name from "Stewart" to "Stuart" because she thought its six letters balanced perfectly on a theater's marquee with the six letters in "Gloria".

Her daughter, Sylvia Vaughn (Sheekman) Thompson Park (born June 19, 1935) is a gourmet food writer and has authored several cookbooks.

In Gold Diggers of 1935, Stuart played a young woman whose mother pushes her to marry an unlikable rich man, but the young woman falls in love with a poor man. In Titanic, Stuart's character did the very same thing 84 years earlier.

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Gloria Stuart in Beloved (1934).
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Gloria Stuart, Phil Baker, and Gus Arnheim in Gift of Gab (1934).
Stuart in Gold Diggers of 1935 (1935)... top picture with Alice Brady,
Joseph Cawthorn, and Grant Mitchell... bottom picture with Dick Powell.
Stuart in Here Comes the Navy (1934)... top picture with James Cagney... second picture with James Cagney, Pat O'Brien, and Frank McHugh... third picture with James Cagney.
Stuart in It Could Happen to You (1939).
With Michael Whalen in Poor Little Rich Girl (1936).
In Roman Scandals (1933).
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In The Girl in 419 (aka "Dead on Arrival") (1933).
Stuart in The Invisible Man (1933)... top picture with Claude Rains.
In The Kiss Before the Mirror (1933).
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With Paul Kelly in The Love Captive (1934).
Post-Titanic in The Love Letter (1998).
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Stuart in The Old Dark House (1932)... top two pictures with Boris Karloff.
With Warner Baxter in The Prisoner of Shark Island (1936).
Gloria Stuart as Old Rose in James Cameron's Titanic (1997).